What I’d like to explore in this programme are basically these two:

1, How to MAKE a performance on public transport while I keep traveling and moving, making my seats my temporary workshops.

2, How to SHOW the performance on the same public transport while I and audience members keep traveling and moving, making the train carriages and the window scenery the temporary stages

-including how to INVITE the audience to the ‘stages’.

In this MOVING situation, new information is coming constantly from outside no matter you like it or not. Therefore, the audience need to select the information from the flood of the information of visual, audio, tactile, scent and other perceptions to understand or recognise the situations you are involved in.

I would like to develop this idea to establish the methodology to make/show my performance on public transport anywhere in the world, i.e. Siberian Railways.